Everything about Henry Bradley totally explained
Henry Bradley (
1845 –
1923) was a
Victorian philologist and
lexicographer who succeeded
James Murray as senior editor of the
Oxford English Dictionary.
Bradley came to Murray’s attention in February 1884 when he reviewed the first fascicle of the
Dictionary,
A-Ant, in the
Academy, a weekly literary magazine run by J. S. Cotton in
London. Bradley’s review praised the clear format and simple design of the Dictionary and its economy in using quotations, but it also challenged Murray’s
etymology, and this caused quite a stir. At the time, Bradley was an unknown freelance writer with no official academic credentials, yet his essay, showing a close knowledge of several languages, contained criticism that none of Murray’s colleagues had been able to provide.
Anemone couldn't correctly be rendered as “daughter of the wind," for example, because the
Greek suffix wasn't “exclusively
patronymic,” and
alpaca wasn't
Arabic in origin, as Murray had written, but more likely
Spanish.
Bradley’s triumph was that both his praise and his criticism were fair and well-tempered; he was admiring without being sycophantic and corrective without being hostile. Recognizing that he'd found a worthy peer who could prove invaluable in creating the Dictionary, Murray hired Bradley, first as an assistant editor, then as joint senior editor.
He has been overshadowed by James Murray, and it must be conceded that Bradley was a slower, less durable worker, frequently ill. However, he remains a noteworthy linguistic scholar, largely self-taught. Much like Murray, Bradley had humble beginnings—as a farmer’s son in Nottinghamshire—but by adolescence he was already steeped in several languages of
Classical learning, and he's supposed to have learned
Russian in only 14 days.
Simon Winchester records that some of Bradley’s childhood notebooks, discovered by a friend, contained
“…lists of words peculiar to the Pentateuch or Isaiah, Hebrew singletons, the form of the verb to be in Algerine, Arabic, bardic and cuneiform lettering, Arabisms and Chaldaisms in the New Testament, with vocabularies that imply he was reading Homer, Virgil, Sallust and the Hebrew Old Testament at the same time. In another group the notes pass from the life of Antar ben Toofail by ‘Admar’ (apparently of the age of Haroun Arrashid) to the rules of Latin verse, Hakluyt and Hebrew accents, whereupon follow notes on Sir William Hamilton and Dugald Stewart and a translation of parts of Aeschylus’ Prometheus…”
Remarkably precocious as this erudition was, Bradley had found no public outlet for it before writing his column in the
Academy. For a long time, he was employed as a simple corresponding clerk for a cutlery firm in Sheffield, and he was already 39 years old when he began editing the Dictionary. Soon afterward he began to get the recognition he deserved, receiving
honorary degrees from
Oxford and
Heidelberg and becoming a fellow of Magdalen College and the
British Academy. He also served as President of London’s
Philological Society, which still exists, and helped found the Society for Pure
English, along with the renowned
Henry Watson Fowler and others.
It was for the S.P.E. that Bradley wrote his last piece, an introduction to “Tract No. XIV: On the Terms Briton,
British, Britisher.” He wrote the first three paragraphs, suffered a
stroke, and died two days later. The piece was finished by
Robert Bridges and published along with Fowler’s “Preposition at End” and a brief
obituary. Short papers such as this one—another example being “On the Relations Between Spoken and Written Language,” read before the International Historical Congress in 1919—are available in The
Collected Papers of Henry Bradley. Longer works include a history entitled
The Goths (1887) and
The Making of English (1904).
Because it doesn't showcase his linguistic brilliance,
The Goths misses the essence of Bradley. The truly interesting book is
The Making of English, the culmination of a philological life. It assesses change in English and the reasons for its borrowings from other tongues down through history, all without resorting to the obscure sets of
symbols so unhappily relied on by specialized
linguistics. In his Author’s Preface, Bradley addresses the book “to educated readers unversed in philology,” and he succeeds in popularizing his specialty and making it readable rather than resorting to
jargon, which he considered an affront to plain English.
Arguably, there would be far less popular interest in Bradley today if he hadn't been included in Simon Winchester’s history
The Meaning of Everything, which honors the fascinating society of scholars who worked on the
O.E.D. Winchester’s book treats Bradley at greater length than any of the other histories in which he's appeared, and has revived a stronger curiosity about him than others have managed to do. Those researching James Murray and Henry Watson Fowler will also find Bradley mentioned in
Caught in the Web of Words, by Elisabeth Murray, James’s granddaughter, and in
The Warden of English, by
Jenny McMorris.
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